HOT KUNG-FU JOHN WOO JEAN-LUC GODARD ACTION

It's that time again...

Five Deadly Venoms -- My familiarity with The Shaws Bros kung-fu flicks of the 70's is sorely lacking. So this seemed like a good place to start. It starts off OK. Then it slides a bit downhill with a rather unlikable main protagonist. The last student of a dying kung-fu master is sent to track down and keep tabs on his previous five students, the 5 deadly venoms of the title, each one the master of a certain reptilian technique. The plot set-up is rather ridiculous, the dying master seems to have an uncanny ability to know just when the shit's about to hit the fan, thought the only reason he seem to be telling his young annoying apprentice is because he's dying... But hey, we're not renting this movie for its plot structure.

So the 5 Venoms always wore masks so the dude doesn’t know who they are, only that they're probably going to be going after the money that the master has left his friend in this small town with a horrendous judiciary system. Yeah, I told you it’s ridiculous, but just stick with me. Once two of the Venoms are revealed to be the evil ones and the guy with the money is killed the movie starts to pick up – at this point it goes from 2 stars to 3.

The kid from the beginning that we think is the main character thankfully stays in the background and some pretty cool set pieces happen when 4 of the 5 Venoms figure out who each other are and a couple of them get arrested and have to deal with some pretty severe forms of questioning.

The last half of the movie is far superior to the first and there’s some pretty gruesome death scenes and a damn fine finale. Starts off at 2 stars and ends up squeezing out a 4 out of 5.

A Better Tomorrow II – This is a movie I’d seen way back in ’95 or ’96. Alls I remembered is that the last half hour of this movie blew me away. I’m not the biggest John Woo fan. The only classic I think he’s created is Hard Boiled. Which appropriately enough was the last movie he directed for China. I liked The Killer and A Better Tomorrow well enough but can’t quite get into the soap opera melodrama, though I won’t deny that these elements are what him the first guy to turn his gun battles into opera.

But this movie’s definitely one of his poorer efforts. (Though you can read elsewhere that this was a very troubled production, one of the biggest budgeted films of Hong Kong at that point since it did film in New York and the producer Tsui Hark was starting to get his own directing ideas. Tsui’s become a better director if you ask me but sadly hasn’t been given a second chance or even a decent opportunity in the US – which may or may not be a good thing.) The shit subtitles and crappy transfer on this DVD certainly don’t help – I’m not sure what it takes or what it costs to put new subtitles on a movie, but damn, this one’s one of the worst I’ve seen. Practically every other sentence has a misspelled or otherwise fucked up sentence – some of it engrish-ized. “Yes, hats a very good pran.”

We won’t mention that Chow Yun-Fat died in the first one and comes back as Ken’s twin brother Mark is a pretty cheesy thing, because hey, Chow Yun-Fat is always a good thing in a John Woo movie regardless. There’s so much over-acting in this movie it pretty much becomes painful, especially with the whole Uncle Lung business losing his mind and repeatedly getting force-fed over and over again.

But! Besides all this, we’re treated to possibly one of the finest staged and choreographed acts of insane bloodshed ever put on film. You could pretty much put this DVD on at the 1 hour 13 minute point of the film and go crazy. The amount of perfectly exploded blood packs and squibs and the ingenious use of introducing a samurai sword in the middle of an automatic gun fight… And the second or third to last shot on the men resting together in the aftermath. Yes, this is why 10 years ago I thought this movie was the shit. 2.5 out of 5.


Alphaville – French new-wave sci-fi. If that sounds interesting to you, you’ll love this. Jean Luc-Godard’s version of 1985 pretty much. You have a mostly highly enjoyable adventure with Lemmy Caution, a Sam Spade type who arrives in Alphaville with an unknown agenda. You can’t say too much more without giving the whole thing away. The city’s evolved into a fascist state through the calculations of a computer program, and Lemmy’s shaking things up with the help of an always obsession worthy Anna Karina. It’s a fun mix of noir and sci-fi long before Blade Runner, though the subject matter does get a bit repetitive at times.

There’s so much going on and trying to be said in here but there’s a good amount of playfulness that keeps it entertaining. For 1965 it’s pretty cool to see Godard play with these genres and the idea of a fascist future created through computer programming. A lot of elements of Fahrenheit 451 also in here as well. Well worth watching – 4 out of 5.